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Owner's Manual


Extrait du fichier http://www.mesaboogie.com/manuals/MkV_101005.pdf (au format texte) :
Owner's Manual

Hello from the Tone Farm
Congratulations on your choice of the MARK V and welcome to the Mesa/Boogie Family! The instrument you've selected has a deep heritage that combines the best attributes of vintage tube amplification with pioneering innovation that brings high-gain channel switching performance to a new frontier. One look to the right side of the Rear Panel where a stack of 9 patents proclaim the authenticity of these groundbreaking circuits and features (beware imitators) and you should feel a sense of pride that you're playing an amp like no other. Our 40 year commitment to excellence along with our solemn promise to musicians - to treat each of them as we ourselves would wish to be treated - guarantees you an experience that will make you feel truly justified in your choice. We're confident your new amplifier will have you smiling and inspired within minutes of plugging in for the first time...but what's really gratifying is that you will be finding new and inspiring sounds years after your price of admission has faded from memory and the MARK V continues to unveil it's true worth. It's with our sincere thanks for trusting us with your TONE and our best wishes for all your musical endeavors that we welcome you home. Should you ever need assistance or guidance we're here to help. You now have in your hands an instrument of limitless expression. Our hope is that it takes you and your playing to new and unimagined places throughout your musical journey. From all of us here at MESA...Enjoy!

Table of Contents
PRECAUTIONS OVERVIEW: FRONT PANEL__________________ 1-4 OVERVIEW: REAR PANEL___________________ 5-6 GETTING STARTED _______________________ 7-10

FRONT PANEL: FEATURES

THE CHANNELS:

OUTPUT & SOLO ___________________________ 38 SOLO: PULL MUTE _________________________ 38 LED INDICATION ___________________________ 39 STANDBY _________________________________ 39 FULL POWER / VARIAC POWER _______________ 39

CHANNEL 1 _______________________________ 11 CHANNEL 2 _______________________________ 12 CHANNEL 3 _______________________________ 13 NOTE FROM THE AUTHOR ________________ 14-16

REAR PANEL: FEATURES

THE MODES:

CHANNEL 1: OVERVIEW _____________________ 17 CHANNEL 1 : NORMAL / BOLD _______________ 17 CHANNEL 1: CLEAN ________________________ 18 CHANNEL 1: FAT ________________________ 18-19 CHANNEL 1: TWEED _____________________ 19-20 CHANNEL 2: OVERVIEW _____________________ 20 CHANNEL 2 : MARK I NORMAL / THICK ________ 20 CHANNEL 2: EDGE _________________________ 21 CHANNEL 2: CRUNCH ______________________ 21 CHANNEL 2: MARK I ________________________ 22 CHANNEL 3: OVERVIEW _____________________ 23 CHANNEL 3: NORMAL / BRIGHT ______________ 23 CHANNEL 3: MARK IIC+ _____________________ 24 CHANNEL 3: MARK IIC+ __________________ 24-25 CHANNEL 3: MARK IV ____________________ 26-27 CHANNEL 3: EXTREME______________________ 28

FUSE _____________________________________ 40 EXTERNAL SWITCHING _____________________ 40 EFX LOOP _____________________________ 40-41 REVERB __________________________________ 41 SWITCHABLE RECTIFIERS __________________ 42 CHANNEL 3: TRIODE / PENTODE______________ 42 SPEAKERS ________________________________ 43 TUNER OUT _______________________________ 43 SLAVE ____________________________________ 43 BIAS SELECT ______________________________ 43 SAMPLE SETTINGS______________________ 44-45 USER SETTINGS ________________________ 46-47 BIAS ADJUSTMENT ARTICLE _____________ 48-50 DIAGNOSING TUBE PROBLEMS ___________ 51-52 SPEAKER IMPEDANCE HOOKUP GUIDE ____ 53-58 PENTODES, TRIODES AND IRISHMEN ______ 59-61 TUBE TASK CHART _________________________ 62 PARTS SHEET _____________________________ 63

FRONT PANEL: EQ, POWER SELECT

EQUALIZER ____________________________ 29-30 POWER SELECT: 90W SIMUL CLASS __________ 30 POWER SELECT: 45W EXTENDED CLASS A ____ 31 POWER SELECT: 10W CLASS A ___________ 31-32

FRONT PANEL: THE CONTROLS

GAIN _____________________________________ 33 MASTER __________________________________ 34 PRESENCE _____________________________ 34-35 TREBLE _______________________________ 35-36 MID ______________________________________ 36 BASS _____________________________________ 37

IMPORTANT SAFETY INSTRUCTIONS
Read these instructions. Keep these instructions. Heed all warnings. Follow all instructions. Do not use this apparatus near water. Clean only with dry cloth. Do not block any ventilation openings. Install in accordance with the manufacturer's instructions. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. Only use attachments/accessories specified by the manufacturer. Unplug this apparatus during lightning storms or when unused for long periods of time. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. To insure proper ventilation always make sure there is at minimum four inches (101.6mm) of space behind the rear of the apparatus. The ventilation should not be impeded by covering the ventilation openings with items, such as newspapers, tablecloths, curtains, etc. Do not impede ventilation by placing objects on top of the apparatus which extend past the rear edge of its cabinet. No naked flame sources, such as lighted candles, should be placed on the apparatus. The apparatus shall not be exposed to dripping or splashing and no objects filled with liquids, such as vases, shall be placed on the apparatus. WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. The AC plug is the mains disconnect. The plug should remain accessible after installation. WARNING: EU: permission from the Supply Authority is needed before connection. WARNING: Always make sure proper load is connected before operating the amplifier. Failure to do so could pose a shock hazard and may result in damage to the amplifier. Do not expose amplifier to direct sunlight or extremely high temperatures. Always insure the amplifier is properly grounded. Always unplug AC power cord before changing fuse, tubes or removing chassis. Use only same type and rating when replacing fuse. Avoid direct contact with heated tubes. Keep amplifier away from children. To avoid damaging your speakers and other playback equipment, turn off the power of all related equipment before making the connections. Do not use excessive force when handling buttons, switches and controls. Do not use solvents such as benzene or paint thinner to clean the unit. Always connect to an AC power supply that meets the power supply specifications listed on the rear of the unit. Export models: always insure unit is wired for proper voltage. Make certain grounding conforms with local standards. YOUR AMPLIFIER IS LOUD! EXPOSURE TO HIGH SOUND VOLUMES MAY CAUSE PERMANENT HEARING DAMAGE! Your Mesa/Boogie Amplifier is a professional instrument. Please treat it with respect and operate it properly.

READ AND FOLLOW INSTRUCTIONS OF PROPER USAGE.

Operating Instructions
Overview: frOnt panel
The MARK V is really a collection of amplifiers. There are far too many circuits and sounds to think of it as merely an amp. It is also a living history of our company. From the ground breaking MARK I that introduced the world to high-gain with it's cascading pre amp, to the Mark II - the world's first high gain Dual Mode Channel Switching amplifier and it's later siblings that introduced Simul-ClassTM power. From the MARK III that ushered in the era of 3 Channel footswitching performance, to the MARK IV which gave all this power individual control, the MARK V is the embodiment of the last 40 years of guitar amp history.

PREAMP:
Three distinct Channels present the 3 footswitchable sounds in a simple to dial platform, but don't let that fool you... beneath each set of controls lies another layer of performance. Each preamp Channel contains 3 distinct Modes that are controlled by a simple mini-toggle MODE switch found in the upper left corner of each Channel. This switch is responsible for the voicing of each Channel. In some cases these voicings are related by style and give you important musical differences within a gain structure and sonic theme. In other cases, both gain and EQ are radically altered to achieve drastically different sounds - yet these sounds appear on the same set of controls. This is a result of needing a certain circuit architecture and Tone control string to achieve a particular sound style. Sometimes these extreme mode differences require different Gain and Tone control treatments to achieve a recognizable and iconic sound. In other words, it may require some dialing of the controls when you are touring through the modes. With circuits capable of these extremes, there is simply no way to avoid this. Don't worry though, with what you learn in this manual combined with using your ear - you will quickly learn to choose a mode and dial it up to your needs in seconds. CHANNEL 1 contains the lowest gain sounds of the three Channels and can be thought of as the Rhythm or Clean channel. The other two channels contain modes that work better for soft clip, medium crunch and high gain rhythm work. There is a tight, skinny CLEAN (toggle up), a warm, rich FAT clean sound with added lower fundamental (toggle center) and a higher gain pushed version of this architecture found in TWEED (toggle down). A Channel-global BOLD voicing switch adds punch and cut starting in the high mids to help you stand out in a dense mix and give you an increase in headroom.

FRONT VIEW: MARK V
CLEAN F A T TWEED EQ ON O EQ FS 90 W 1 CH 1 NORMAL

TM

EDGE R U N C MARK I EQ ON H


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